David Parr: Artist’s ‘awe’ at 1880s artisan decorated house
An artist who helped restore a terraced home to how it looked more than 100 years ago said she was “deeply in awe” at the skills of a Victorian worker.
David Parr, who worked for a firm used by 19th Century master craftsmen, covered his Cambridge home with lavish patterns from the 1880s.
A charity was set up in 2014 to preserve the Gwydir Street house.
Saskia Huning reproduced some missing wall paintings ahead of its opening for public tours on 16 May.
She said she soon realised Parr had “a really good head for design, as well as being a fantastic craftsman and artist”.
“I was deeply in awe of the quality of his work,” she said.
Parr worked for FR Leach & Son, a Cambridge company that worked with leading Victorian artists, including the Arts and Crafts founder William Morris.
He used some of Morris’s patterns in his home, as well as designing his own.
After his death in 1927, his granddaughter Elsie Palmer lived there for 85 years and left it largely unchanged.
The Arts and Crafts Movement
- It began in the late 19th Century as a reaction to industrialisation and mass production
- The movement took its name from the Arts and Crafts Exhibition Society, founded in 1887
- Many of the people involved were influenced by the designer William Morris
- He believed passionately in the importance of creating beautiful, well-made objects that could be used in everyday life
Source: The Victoria and Albert Museum
Tamsin Wimhurst discovered the house in 2009 and set up a charity to preserve it in 2014.
She was told “you have all the issues of a stately home but on a much smaller scale and that does not make it any easier”.
The house was re-roofed, but damp continued to cause the wall decorations to deteriorate.
In 2016, the David Parr House was awarded more than £600,000 in Heritage Lottery Funding to conserve and stabilise the interior.
Ms Huning, who specialises in recreating and restoring historic painted decoration, worked in the hall, drawing room and dining room.
She said: “I found myself constantly surprised by Parr’s incredibly fine work.
“He had a very flexible style and his work is incredibly consistent.”
Parr worked in oil paints, which would have taken a long time to dry and can discolour over time.
Ms Huning used layers of acrylic paint to build up the colours.
She said it was a fabulous project to work on uncovering “a whole different world no one knew was there, with artisans beavering away in their own houses”.